Gerda Lissner Foundation Hosts Young Artist Vocal Concert

The Young Artist Vocal Institute Concert Series was established in 2019 to continue assisting and mentoring young artists with the financial support they need to pursue their craft and excel in the world of opera. The concert was being presented in lieu of the International Vocal Competition 2019. The series continues on April 26th and September 27th 2019. The event took place on Friday evening, March 29th at the elegant Liederkranz Foundation in New York City where Philipp Haberbauer is the General Manager.

Philipp Haberbauer – Liederkranz General Manager.
Photo by Judy Pantano

The Gerda Lissner Board of Directors and Board of Trustees consists of Stephen De Maio President, Michael A. Fornabaio Vice President and Treasurer, Cornelia A. Beigel, Secretary and Trustee, Karl Michaelis and Barbara Ann Testa,Trustees. (Ms. Testa  could not attend) Karl Michaelis announced that Stephen De Maio sends greetings to all and regrets not being able to attend.

Midge Woolsey of WQXR Radio and Channel 13 fame was the host of the evening. Ms. Woolsey works in the development of the concert series at Saint Thomas Church on 5th Avenue in New York City and on the advisory boards of the Martina Arroyo Foundation and Opera Index among others. Midge Woolsey mentioned how George Jellinek and his program “The Vocal Scene” motivated her to do what she does best. George Jellinek was truly a pioneer in the radio business and brought many listeners to WQXR for his wonderful work. His fabulous collection of recordings was motivational.

Host Midge Woolsey, Michael Pitocchi, Vartan Gabrielian, Timothy Renner, pianist Mikhail Hallak, Xiaotong Cao & Meghan Kasanders.  Photo by Judy Pantano

The concert began with baritone Timothy Renner, from the Academy of Vocal Arts and a pupil of Bill Schuman. Mr. Renner’s offering was of “Pierrot’s Tanzlied” from Die tote Stadt by Korngold whose Hollywood musical scores revealed a composer deserving of acclaim by an audience not just viewing a film. Mr. Renner is the possessor of a large baritone voice not quite suited for the refined elegance needed for this particular aria. His second selection was the “Petersburgian Song” by Sviridov brought back memories of opera and film baritone Nelson Eddy in Balalaika and what sounded like two glorious B flats. For beautiful Ilona Massey, Mr. Eddy’s glamorous co-star, the passion of his selection was vital. Mr. Renner really shined in this performance. His supreme singing was brought out by this rousing number.  

Maestro Eve Queler, Alfred & Christine Palladino, Michael Fornabaio, Eliane & Samuel Cavin. Photo by Judy Pantano

Vartan Gabrielian, bass-baritone (Curtis Institute of Music) sang Aleko’s Aria from Aleko by Rachmaninoff. His big cavernous sound overwhelmed and impressed but the more subtle aspects of this very young Rachmaninoff were lost in the thunder. His second number by Rachmaninoff, “Now is the Time” perhaps breaking free from Russian life for a nomadic Gypsy life is a wish of most who seek their Bali Hai but it was very well done and suited the beautiful depth of his voice to subterranean spheres.  

Arthur & Susan Stout, Faith Pleasanton & Robert Steiner. Photo by Judy Pantano

Soprano Meghan Kasanders, (The Julliard School) sang the aria of Donna Anna “Or sai chi l’onore” from Mozart’s Don Giovanni with a compelling timbre. There is an abundance of strong passionate singing. Ms. Kasander’s fulsome sumptuous soprano, has a treasure chest of rich tone and dramatic flair that keeps pulling me into a current that says I also want to hear her in Italian repertoire – Aida, Santuzza, Amelia, both Leonora’s. I want someone to open the floodgates for this voice of untapped pathos and passion. Her song, “Von ewiger Liebe” by Brahms showed the great composers creating a song for the heart from the heart. Ms. Kasanders caressed each note with a clarion call for love. As a lad, I recall “You’re the song angels sing” which was taken from Brahms and made into a popular song, sung by American film tenor Mario Lanza for the film Because You’re Mine. (1953) It is one of his best recordings and featured young and talented soprano Doretta Morrow. Both Lanza and Morrow, united at the end of the film, died young.

Margaret Grover, Marlene Astorga, Gloria Gari, Lou Barrella, Karl Michaelis & Nino Pantano. Photo by Judy Pantano

From the College of Performing Arts, Mannes School of Music and The New School, comes American bass-baritone Michael Pitocchi. Mr. Pitocchi sang “Vous qui faites” from Faust by Gounod. I love the rousing laughter in this aria and am always aware of the devil afoot. Mr. Pitocchi captured the devil’s rich tapestry of singing sarcasm and cruel infectious laughter. His rich basso and downward vocal excursions, took one right to hell and back. The 1953 film Tonight We Sing, featured the great Italian basso Ezio Pinza (1892-1957) as Russian basso legend Fyodor Chaliapin. (1873-1938) Pinza sings several scenes from Faust including the trio, with the voice of tenor Jan Peerce and soprano Roberta Peters. The great star of the MetOpera and South Pacific was in fresh voice at age 60 and sang “Vous qui faites” marvelously. Hopefully, Mr. Pitocchi will follow in his footsteps. Pitocchi’s song selection was “The Leaves Rustled Sadly” by a 19 year old Mussorgsky. A haunting plea from a lonely heart-Russian style. Mr. Pitocchi will, I am certain, fill the void today of a lack of great dark voices.

Michèle Classe, Joyce Greenberg & Jane Shaulis. Photo by Judy Pantano

From the Manhattan School of Music, Xiaotong Cao, soprano was the last in this exciting concert. Her aria was “Stridono Lassu” from Leoncavallo’s I Pagliacci. Her beautiful voice is full and rich yet flexible and light when needed. Her vocal palette is broad and colorful. Nedda wants to be free as a bird. Canio, an older clown rescued her and gave her a life. Nedda is bored and has a young lover and wants to be as free as a bird. The part calls for dexterity vocally and passion physically. One felt these two at work in Cao’s sizzling interpretation. Incidentally, the composer, Leoncavallo’s father, was the actual judge in the trial of Canio who murdered Nedda.   

Ms. Cao’s second selection was a song “Chere nuit” by Bachelet written for the great soprano Nellie Melba and a favorite of today’s great mezzo Susan Graham. It was sung with charm and sentiment.  

Diana Corto & Lawrence Jones . Photo by Judy Pantano

The pianist Mikhail Hallak was excellent. He played with a special passion which coupled with elegance was as good as a full orchestra!  Mr. Hallak is from the Young Artist Development Program of the Metropolitan Opera.

Midge Woolsey was a superb host and her introductions explained the selections with her lifelong experience and love for the subject. We had a brief chat and discussed theatre. When basso Pitocchi stood next to her I exclaimed,”Ah! Emile De Becque and Nellie Forbush.” I told Mr. Pitocchi how thrilled I was to see the great Ezio Pinza sing “Opera, Broadway and Hollywood” at Lewisohn Stadium in New York in 1951 before a crowd of 25,000 people and how he (Pitocchi) will restore the great basso tradition. Midge Woolsey told me that in college she wanted to be Nellie Forbush in South Pacific, but only the part of Bloody Mary was open. Surprisingly, Ezio Pinza recorded Bali Hai in 1949 and is now on the Internet. Technicians have played his recording with Juanita Hall, the original beloved Bloody Mary, making them sing a flawless and thrilling duet. People loved Nellie Forbush (Mary Martin) and adored Ezio Pinza (Emile) but they also were inspired by Juanita Hall as “Bloody Mary.”  

Reiko Osumi, Emily Hsiung, Michael Pitocchi & Jeanne Bosse. Photo by Judy Pantano

It was nice to chat with so many friends and opera lovers at the delicious reception: Jane Shaulis and Joe Gasperec from Opera Index, Glenn Morton from Classic Lyric Arts, Gloria Gari from The Giulio Gari Foundation, Maestro Eve Queler, whose new book entitled A View from the Podium has many brilliant anecdotes and photographs of her fabulous career, legendary dramatic soprano Elinor Ross and her artist son, Ross, mezzo-soprano Rosalind Elias looking as radiant as in her current profile in Opera News by Editor F. Paul Driscoll, opera lecturer Lou Barrella, Alfred and Christine Palladino, from the Columbus Citizens Foundation, Arthur and Susan Stout, French diction teacher, International Concerts Diana Corto and Lawrence Jones, export consultant Michèle and Anthony Classe, Joyce Greenberg and Ralph Petrarca, Samuel & Eliane Cavin, Reiko Osumi and countless others who support and love musical nights like these.

Maestro Eve Queler’s new book. Photo by Judy Pantano

All the best to these young singers, all of whom were given scholarship and stipends to provide for their careers. They will, all like Spring, make opera “reborn” for the next generation.

The Gerda Lissner & Liederkranz Foundations Present A Celebration Of Opera

The 2018 Winners of the International Vocal Competition & Celebrating 50 Years with Maestro Eve Queler & Opera Orchestra of New York

Sunday, May 6th, was a very special day for opera lovers. The Gerda Lissner Foundation and the Liederkranz Foundation presented their prizewinners in a grand concert at Zankel Hall, part of the Carnegie Hall Complex. It also celebrated 50 years of Opera Orchestra of New York with Maestro Eve Queler who, with the orchestra, accompanied the young awardees on their operatic journey.

Maestro Eve Queler with Winners of the International Vocal Competition 2018. (Photo by Don Pollard)

Midge Woolsey was the host of this exciting event. Ms. Woolsey, who was a familiar radio voice for years, is also a familiar face from her manifold duties as host on PBS Channel 13. She requested the audience greet and cheer her co-host, the well known opera writer and Broadway biographer Brian Kellow, who could not attend and Stephen De Maio President of the Gerda Lissner Foundation and “Father” to so many young singers through the years. We reflect on their fruitful lives, wish them well, thank them for their inspired work and thank dear Steve for this glorious afternoon with legendary Maestro Eve Queler and the splendid young singers.

Lya Pfeifer, Midge Woolsey & Jerry Stolt. (Photo by Don Pollard)

The Liederkranz Foundation sponsored prizes in two categories: the General Division and the Wagnerian Division. The top prize in the General Division went to tenor Matthew White. Soprano Amy Shoremount-Obra was the top prize winner in the Wagnerian Division. President Joseph Pfeifer from the Liederkranz Foundation presented the esteemed awards.

Rusty & Amy Shoremount-Obra &
Joseph Pfeifer. (Photo by Don Pollard)

The program began with “Ah La Paterno Mano” from Verdi’s Macbeth sung by tenor Robert Stahley, who at age 26, is the fine ambrosia for a special occasion. His voice has a very pleasing sound; good secure upper register, fluent legato and breath control building up to a strong finale. A good Verdi stylist ready to go!

Rafael Sanchez, Glenn Morton & Patricia Sheridan. (Photo by Judy Pantano)

Next was “Song to the Moon” from Rusalka by Antonín Dvorák. Elena Perroni soprano sang this rhapsodic and beautiful aria with a dark hued sound, power and a great sense of yearning of this sea creature who desires to be a human woman and love a man. The exotic and passionate orchestra with Maestro Eve Queler made for quite a treat with the sound of music and the quest for magic in the air.

I had some spinal surgery at NYU-Langone Hospital and on the corner entrance (East 17th Street & Second Avenue) there was a street sign that said “Dvorák Place.” That was the house where the great Czech composer Antonín Dvorák lived for three years while composing “The New World Symphony.” Regrettably the new hospital tore it down but the sign is still a significant reminder.

Barbara Ann Testa, Christine & Alfred Palladino. (Photo by Judy Pantano)

Bass William Guanbo Su sang Bellini’s “Vi ravviso o luoghi ameni” from La Sonnambula. Mr. Su has a pleasing sound to his bass and captured most of the poignant Bellinian style. The fioritura was good, the yearning was heartfelt and the “Italianate feel” was intact. With orchestra embellishments at the end of the aria, it was an exciting moment.

Verdi’s “Surta è la notte …Ernani! Ernani involami” from Ernani was sung by soprano Anna Dugan. Since the classic rendition by the great Rosa Ponselle, this haunting and thrilling aria and cabaletta is held to a very high standard. Ms. Dugan possesses a vibrant soprano voice, her highs and lows were forceful and there was a touch of stridency on top in the cabaletta. These insecurities can be worked out and Ms. Dugan will surely help fill the current void of good Verdi sopranos.

Michèle Classe & Betty Cooper Wallerstein.
(Photo by Judy Pantano)

“Ah, lève-toi soleil” from Gounod’s Roméo et Juliette was in the capable hands (or voice) of tenor César Delgado. Mr. Delgado is the possessor of a fine lyric spinto voice with softness and thrust. There was good contrast from loud to soft and a strong finale swelling to an impassioned climax.

Baritone Seokjong Baek sang “Cruda, funesta smania” from Donizetti’s Lucia di Lammermoor. He had just the right amount of seething rage at his sister Lucia and he sang with precision, power, shading and elan. His exciting finale on a good high note was held and inspired the audience to cheers.

During the intermission it was nice to see so many celebrities and friends: Host Midge Woolsey and husband Jerry Stolt, Cornelia Beigel, Michael Fornabaio, Karl Michaelis, from the Gerda Lissner Foundation and Joyce Greenberg loyal patron/contributor of the Gerda Lissner Foundation with friend Ralph Petrarca; Philipp Haberbauer from The Liederkranz Foundation, Gloria Gari from the Giulio Gari Foundation, Met mezzo soprano Jane Shaulis, Joseph Gasperec, Murray Rosenthal, Philip Hagemann, Janet Stovin, Cesare Santeramo, Robert Steiner, Faith Pleasanton all from Opera Index; sopranos Elinor Ross, Barbara Ann Testa, Elaine Malbin; Glenn Morton from Classic Lyric Arts, opera managers Ken Benson and Robert Lombardo, vocal coach Tamie Laurance, Deborah Surdi, from Opera Orchestra, Richard Wargo, composer and artistic director at the Marcella Sembrich Museum in Lake George, Brooklyn reviewer Thomas Lenihan, patron activist Betty Cooper Wallerstein, from Stifel investments Alfred Palladino and wife Christine, Luna Kaufman, author pacifist, export consultant Michèle Classe and husband Anthony, designer Rafael Sanchez, vocal coach Patricia Sheridan, City National Bank’s Joseph Sedillo and John Lawrence and famed opera standee Lois Kirschenbaum.

Robert Steiner & Faith Pleasanton. (Photo by Judy Pantano)

Mezzo-soprano Hyo Na Kim sang “Einsam Wachend in der Nacht” from Wagner’s Tristan und Isolde. Her warm caressing mezzo was indicative of so much more sound being saved for passages of drama. She has both capital and interest on tap and the result leaves one in awe. Her voice evoked the Champs Élysée and the Eiffel Tower in its imposing authority and grace held by great vocal support.

“Dich teure Halle” from Tannhäuser was sung by soprano Amy Shoremount-Obra. It was voice of strength and beauty that lit up the Wagnerian sky with brilliant streaks of light making impact on Wagnerites and giving life to new lovers of Wagner.This selection calls for brilliance of sound and Ms. Shoremount-Obra gave us that in full measure.

The familiar sounds of “Eri Tu” from Verdi’s Un Ballo in Maschera followed and are reminding us all how wonderful it was to have Maestro Eve Queler and her orchestra behind the singers. Baritone Jaeman Yoon sang this poignant and moving aria from dark menacing phrases to those of longing and heartbreak with a full emotional plate and captured it. He hit some ringing top notes and his final d’amore ended with a passionate Italianate thrust.

Puccini’s iconic “Un bel di” from Madama Butterfly was sung by Maria Natale. In the 1930’s she would have been scooped up by Hollywood like Lily Pons and Risë Stevens Met Opera stars and beauties. Jeanette MacDonald sang in opera after she left Hollywood and sang with Ezio Pinza in Faust. Mr. Eddy had a ten-year opera career before he went to Hollywood. My favorite of their films was Maytime. Maria Natale sang with admirable restraint. Her beautiful soaring soprano seemed to be hearing the legendary soprano Licia Albanese “to always sing on the word.” I told Ms. Natale that she gave me tears with her phrases and determination.The finale was beautifully accomplished with power and pathos and the wonderful Maestro Eve Queler and Opera Orchestra. Maria was a second prize winner and just sang a memorable Violetta in La Traviata in Seattle. I have to admit, I handed her a rose making her both a California gal and a “Roseworthy Butterfly.”

Hubert Zapiór, Polish baritone, was a striking looking Onegin singing” Vy mne pisali”…. from Eugene Onegin – by the great Tchaikovsky. Mr. Zapiór’s beautiful lyric baritone has a lovely quality and Adamo Didur, a star Polish bass during Caruso’s time comes to mind. Beautiful sensual voice, subtle yet moving and powerful. I told Mr. Zapiór that the late Dmitri Hvorostovsky, I am certain in singer’s heaven, is happy to see such a splendid Eugene Onegin now that he is gone.

Soprano Courtney Johnson (3rd-center) & Family. (Photo by Judy Pantano)

Soprano Courtney Johnson sang “Je dis que rien ne m’epouvante” from Carmen iconicallyknown as “Micaela’s air.” This aria is said to have greatly enhanced the career of young Licia Albanese. People would see Carmen just to hear Mme. Albanese sing “Je dis que.” Ms. Johnson has a full, radiant and lovely voice with power and resilience. A beautiful top and generous shading give her a special offering to the audience. Her ample finale was poignant and heart wrenching. The Opera Orchestra of New York made everything the stuff of dreams. It was so nice to see how proud her family was of this emerging opera star.

Tenor Matthew White was the winner of the Liederkranz top prize. His singing of “O Paradis” from Meyerbeer’s L’Africaina was a sensation! I always found the French diction to restrict the tenor from “opening up” and both Enrico Caruso and Beniamino Gigli recorded it in Italian. I said when I saw the program that “O Paradis,” lovely as it is, is usually a downer because the French doesn’t open and diminishes the thrill. Mr. White opened with a lovely vibrant tenor of moderate size and his first high note was full and round and had a Corellian spark to it. Then he sang all the long phrases and at the finale came on an ascending scale evoking the quality of the great Swedish tenor Jussi Björling and brought down the house. We all felt like we were present at the creation.

Seokjong Baek closed Act One in baritonal triumph and Matthew White gave us a visceral thrill with his wondrous tenor to conclude the concert.

Dinner Host Karl Michaelis. (Photo by Don Pollard)

There was a private dinner at the New York Athletic Club honoring Maestro Eve Queler for her 50 years at the helm of the Opera Orchestra of New York. Karl Michaelis hosted, as many sang her praises which she graciously and proudly accepted and a beautiful anniversary cake was presented. She spoke of past triumphs and how she, a female remained firm, certain of her talent and opened the doors for many women who would not have knocked and deprived the world of their talent.

Maestro Eve Queler & her 50th Anniversary Cake.
(Photo by Don Pollard)

Many friends and opera lovers were there to dine on delicious pumpkin ravioli, salad, breaded chicken, wines, coffees and desserts as we heard so many great things about Maestro Eve Queler. Some at our table or passing by to chat, were Dr. Anthony Abbate, urologist and actress/stage director wife Geraldine, opera lecturer Lou Barrella and wife Kathleen, Vito & Rosa Pietanza, formally from the New York Grand Opera, photographer Anita Sanseverino, pianist Alba Mazza and opera aficionado Dianna De Martino were happy to be among the privileged many on this special day. Bravo Gerda Lissner and Liederkranz, so beautiful together.

Judy & Nino Pantano & Dr. Anthony & Geraldine Abbate. (Photo by Don Pollard)

Thank you Steve De Maio for making this event so special! You surely have the magic touch and congratulations to Maestro Eve Queler and her marvelous orchestra, loved and idolized after 50 golden years.This affair was truly special, where past and present united and the fresh young singers gave us a dazzling look at the future.

The Gerda Lissner Foundation in Association with the Liederkranz Foundation Presents Lieder/Song Vocal Competition Winners Concert 2017

On the evening of Friday, November 3rd, The Gerda Lissner Foundation in Association with The Liederkranz Foundation presented its Lieder/Song Vocal Competition Winners Concert of 2017. It showcased its retinue of young and talented singers which allowed the distinguished and discerning audience an opportunity that was both enticing and gratifying. The presence of Stephen De Maio, industrious President of the Gerda Lissner Foundation, with Michael Fornabaio, the formidable Vice President and Treasurer, Cornelia Beigel, the effervescent and valued Secretary and Trustee, Karl Michaelis vibrant and urbane Trustee, and soprano, the devoted Barbara Ann Testa, treasured Trustee and chic auditions announcer Joyce Greenberg added to this esteemed and cordial group of Lissnerites!

President Stephen De Maio introduced our hostess for the evening by just mentioning her illustrious places of employment: WQXR radio and PBS Channel 13 where her eager speaking voice, love of music and personal charm have made her name synonymous with all things good for the soul and spirit. Midge Woolsey mentioned that madness was the recurring theme of the evening (like Sir Noël Coward’s song Mad About the Boy). Love madness dominated the performance. She also thanked her beaming economist husband, Dr. Juergen “Jerry” Stolt for perfecting her German in the proceedings. She then introduced the piano accompanist, Arlene Shrut and singled out this gifted accompanist as an artist whose versatility and passion for 25 years are a source of veneration and inspiration.

Midge Woolsey, Stephen De Maio, Arlene Shrut, William Guanbo Su, Justin Austin, Nathan Milholin, Alexandra Nowakowski, Leo Radosavljevic, John Chong Yoon Noh, Emily Pogorelc, Helena Brown. Winners not in photo are: Jacob Scharfman, Brian Vu & Heather Stebbins. Photo by Judy Pantano

In the elegant auditorium of The Kosciuszko Foundation on East 65th Street in New York City, the concert began. We saw the great soprano Metropolitan Opera legend Elinor Ross, the extraordinary pioneer conductor Eve Queler, the radiant Gloria Gari from the Giulio Gari Foundation and the suave Glenn Morton from Classic Lyric Arts, whose evening the night before with his Italian and French trained singers, also gave a happy look toward the future of opera. It was nice to greet music lover Mario Cesar Romero who seemed to be quite happy with the prospects of this special evening.

The concert began with Brian Vu, baritone who sang “Le manoir de Rosemonde” by Henri Duparc. Duparc who passed away at age 37 had many moments of madness both medical and musical. Brian Vu sang with passion, his high baritone on the threshold of heaven leading us on a quest that reaches the door. A brief journey made plangent and pleasant by this fine newcomer!

Baritone Justin Austin sang “Chanson èpique” from Don Quichotte a Dulcinee by Maurice Ravel.The great Russian basso Feodor Chaliapin sang in the 1930’s film with music by Jacques Ibert since Ravel’s music was not entirely used. Mr. Austin sang with expression and strong lyrical thrust. This prayer to St. Michael and St. George had the outburst of the heart that makes one whole, a subtle and intimate revelation.

Nino Pantano, Gary Kendall, Jane Shaulis, Arlene Shrut, Joseph Gasperec & Karl Michaelis. Photo by Judy Pantano

Bass baritone Nathan Milholin sang “Die Mainacht” by Johannes Brahms. This expanding, increasing and unceasing run of terror made for heart grasping nightmarish fears! Mr. Milholin’s summation was unforgettable. His powerful declamations were truly chilling. His utterances of “Mein Fatha” were indelible.

Emile Pogorelc sang “Wasserrose” by Richard Strauss. Ms. Pogorelc has a truly lovely soprano that carries strong and well. Richard Strauss wrote this “intimate” piece with some magical high notes, yet draws one in by its singular emotion. Ms. Pogorelc’s versatile and expressive singing was compelling and unifying.

Next was Leo Radosavljevic, bass baritone in “Fühlt meine Seele” by Hugo Wolf. An impassioned, all out selection in caressing tone, fine diction and many moments of the voice and piano being passionately united in urgency, conviction and harmony.

Baritone Jacob Scharfman sang “Nachts” by Erich Wolfgang Korngold, proving himself to be a captivating performer of great concentration. He is an architect of sound and builds a song very effectively, each vocal brick properly paced and placed. His baritone is warm and strong and it won’t be long before his “song” takes him far and wide in the universe of singing!

John Chong Yoon Noh had the unique standing of being the only tenor of the evening. He sang “Heimliche Aufforderung” by Richard Strauss in a fervent and inspired interpretation. Noh has a fine, embracing tenor that has a special quality and warmth.

Midge Woolsey & Dr. Juergen “Jerry” Stolt. Photo by Iwona Juszczyk

Soprano Alexandra Nowakowski sang “Villanelle” by Eva Dell’Acqua. Midge Woolsey told the audience how much she admired the recording by Beverly Sills as a youngster, but had never, until now, actually heard it sung “live.” I think Madama Marcella Sembrich would also have admired the magical way it was sung that night. Ms. Nowakowski, a 2014 Marcella Sembrich award winner, sang with high angelic lovely scales, an instrument fueled by Sembrich and Sills. We got “high on highs” and were heaven bound. Marcella Sembrich’s charming house and museum in Bolton Landing is on the banks of Lake George in upstate New York.

Bass William Guanbo Su sang” Erlkönig” by Franz Schubert, in a bass that was both intimate and cavernous. He was the first prize winner but knew that his prize was easily shared by this illustrious group of fine, promising young artists, all of whom radiated charm and talent.

Nino Pantano, Iwona Juszczyk, Gary Kendall &
Alfred Palladino. Photo by Judy Pantano

We then all went to the delicious reception where we partook in some splendid “finger food” and delicious wines and pastries managed by the ingenious Philipp Haberbauer. It was great to vocally spar with basso Gary Kendall, find a comfy table and chat with Alfred Palladino from the Columbus Citizens Foundation, greet Met mezzo soprano Jane Shaulis, Joseph Gasperec and Janet Stovin from Opera Index, opera manger Ken Benson, Jane Marsh from the Opera Guild, vibrant patron Betty Cooper Wallerstein, Father John Kamas, pastor of St. Jean Baptiste Church and event manager Iwona Juszczyk from The Kosciuszko Foundation.

Here’s to the “same time next year!” Thank you President Stephen De Maio, The Gerda Lissner Foundation and The Liederkranz Foundation for a feast for the palate and the ears showing the good that still remains to uplift and inspire.